Ola Gjeilo: Ubi Caritas. Ola Gjeilo was born in , in Sandvika, Norway. From an early age he was exposed to a range of different genres of. With a sound at once modern and medieval, this remarkable setting of the familiar Latin text starts in unison and evokes plain chant, and gradually unfolds into. UBI CARITAS. SATB Chorus a cappella. Music by. Ola Gjeilo celebrating years of timeless choral music. OM WALTON. WALTON. MUSIC walton

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Is it too pretty? Leave a Reply Cancel reply. The text, which is related to the Eucharist, is widely known as the antiphon for the first communion, and the washing of the feet from the Mass for Maundy Thursday. Is it too cerebral?

Your email address will not be published. Blogs Choral Ola Gjeilo: I started to write more music that reflected what I listen to. After deciding that a career as a composer Read more….

This should be the benchmark of all that we composers are looking for. Gjeilo creates a more jubilant atmosphere here, which can be heard through luscious harmony, accelerating tempos, and ever-expressive dynamics. Gjeilo cleverly changes meter twice before completing the work, to prolong the tension in the final cadence. Exultemus, et in ipso iucundemur.

Ola Gjeilo ‘Ubi Caritas’: Let Us Rejoice!

caritqs From an early age he was exposed to a range of different genres of music, but he took a special liking to both jazz and classical choral music. I felt a lot less creative doubt, and I just began to enjoy composing in a new way.


It is so important in music. What’s on your mind? Gjeilo mainly learned music by ear, but did learn how to read music from age 7. The middle section begins following a neat modulation to A major. Congregavit nos in unum Christi amor. When Tower was nine, her family moved to Bolivia, which she ugi as an integral part of Read more….

Ubi Caritas with Piano Improvisation | Ola Gjeilo

Et ex corde diligamus nos sincero. The text that is at the centre of the work can be seen below: In the last two bars, the bass and soprano land on the tonic and dominant of F minor. His use of improvisation, jazz and classical conventions amalgamate to create some truly stunning pieces of music.

The Best of Brass Alexander Arutunian: It made me happier. So, this is the principle I work with now.

Ola Gjeilo ‘Ubi Caritas’: Let Us Rejoice! – Classicalexburns

Differently, the alto and tenor provide the concluding delayed resolution, ubl them eventually landing on the third and dominant of the F minor chord.

Gjeilo began playing piano, and gravitated towards jazz improvisation. The text that is at the centre of the work can be seen below:. Similar to the opening section, the soprano voice carries the initial melodic line. A modulation to B major is heard at the end of this middle section, which comes when the choir are singing the final line of text. His keen ear enabled him to be experimental in his compositional style from a young age.


The opening chant is then presented again, but this time with all SATB in unison. What does my teacher want me to do?

Roll Up Roll Up! The opening chant is then concluded by the soprano and alto lines coming together, solidifying the F minor key. Image Source Recommended Recording: We get caught up in these things and ggjeilo from the core question — what is it that I really love?

Musical Individualism Joan Tower: However, instead of the voices being in unison here, they are in full SATB harmony, which is absolutely glorious. What are others expecting from me? Timeamus, et amemus Deum vivum.

Whilst the alto voice sustains an F tonicthe tenor and cariats voices descend in step-wise motion, with the soprano voices ascending in the same manner. Is my music modern enough?

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