Arcangelo Corelli (–) was one of the most sought-after violin teachers in Italy and his pupils included Castrucci, Gasparini, Geminiani, Bonporti and. CDH – Corelli: La Folia & other works Arcangelo Corelli () ‘ The most persuasive account of Corelli on disc’ (The Rough Guide to Classical. Arcangelo Corelli. Sonata for violin & continuo in D minor (“La Follia”), Op.5/ Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook.

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Falling at the end of Corelli ‘s great Op. The source material was popular for more than a century before Corelli took it on, but this sonata linked the melody so closely to Corelli ‘s name that Rachmaninov would later call his own musings on the tune Variations on a Theme of Corelli. The moderately paced, triple-meter melody lays itself out over the course of eight measures, maintaining an implacable emphasis on the second beat. Corelli first offers it in its bare form, although many violinists to freely ornament this first statement.


Some performers also include a guitar-like instrument in the continuo section to bring out the music’s Iberian character.

Corelli next strips the melody down to a skeleton of paired notes, fleshing out the melody only toward the end of phrases. He gollia takes the opposite course with a pair of variations that pile more and more notes onto the melodic framework.

Folia – Wikipedia

The following variation comes down hard on the melody’s downbeats. From here, Corelli goes for maximum contrast: The piece ends in a brilliantly jagged variation without prettifying the tragic character Corelli has maintained throughout this work.

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Sonata for violin & continuo in D minor (“La Follia”), Op.5/12

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